The 75th anniversary season ended in some style with a concert by members and friends of the society, organised by our chairman, Kevin Walsh.  A good audience at the Sunderland Museum and Winter Gardens enjoyed a varied programme, with interval refreshments.  The pianists and the pieces they played were:

Alan Bowers         Andante from Sonata Op. 28, by Beethoven

Ben Richards        Consolation no. 3 in D flat, by Liszt

Graeme Humphrey      Allemande from French Suite no. 5, by Bach;

.                                       Impromptu in A flat D935, by Schubert

Alan England        La Cathedral Engloutie, by Debussy

Peter Hayes          Maple Leaf Rag, and Stop Time Rag, by Joplin

Annie Ball              El Fandango de Candil from Goyescas, by Granados

Sarah Robinson    Fantasy in C Op.17 (1st movement), by Schumann

Kevin Walsh           Petrarch Sonnet no.47, by Liszt

Joe Carville             Lyric Pieces (selection), by Grieg

Alan Coxon            Reflets dans l’Eau, by Debussy

David McRae         Ballade no. 1 in G minor, by Chopin

.                               La Campanella, by Liszt/Busoni

Thanks to all the pianists for their contributions to what was a very pleasant and successful evening.

On Tuesday, April 17th Romanian-born Alexandra Vaduva gave a piano recital in the Pottery Room at Sunderland Museum. This was well attended by an enthusiastic audience who could not fail to be impressed by her brilliant but very musical performance which covered a wide range of varied music.

The evening began with the Sonata in A minor, D537 by Schubert, well played in great style. The subtle use of pedal in the second movement managed to keep a legato tune whilst keeping the staccato bass. We then heard two Scarlatti Sonatas, E major, K380 and D minor, K9 again very well played. The music then moved to a more modern age of George Enescu (1881-1955) with two pieces from his Suite no.3 which were most pleasant and well contrasted. After the interval there was a beautiful performance of three Intermezzi, Op. 117 by Brahms then we returned to Enescu to hear the Suite for Piano no.1 in G minor op. 3. This is a four movement suite, well contrasted and needing a strong technique as well as musicianship. This work, as with the earlier Enescu, was performed with great authority and power and the Society should feel privileged to be presenting a First Performance [in Sunderland] of such good works.

The audience was most impressed with the entire evening and it was gratifying to see how well the Enescu was received. After such a rousing end to the evening Alexandra gave us an encore of Schumann’s “Träumerei”.

Alexandra Vaduva was sponsored by The Countess of Munster Trust who help young talented artists at the beginning of their career and we certainly hope that we shall hear more of her in the future.

Lily Scott.

On Tuesday, February 13th the Society celebrated its 75th anniversary in style with a recital by the brilliant young British pianist Viv McLean who delighted the audience with an appropriate programme for the occasion. Viv was making a welcome return having played on several occasions previously and began the evening with the Variations on “God Save the King” by Beethoven. This was followed by Brahms’ Variations and Fugue on a theme by Handel Op.24, which was played with great authority and power and well appreciated by the audience. After the interval we were treated to a collection of pieces by Chopin starting with the rarely heard Polonaise in C minor Op. 40 No. 2 to be followed by the more gentle Nocturne in G minor Op. 30 No. 1. Then came the famous Scherzo No.2 in B flat minor Op.31, always a favourite with the audience. The Nocturne in E minor, Op. 72 No.1 was followed by a grand performance of the ever popular Polonaise in A flat major, Op. 53 and made a suitable end to the evening, except that the audience were treated to a surprise encore. Viv Mclean gave the first performance of a Polka by composer David Pennycuick which was a good end to the celebrations.

Everyone went home very happy after an evening of fine, well performed music and free refreshments in the interval.

Lily Scott

Despite icy roads and low temperatures, a good audience attended the recital at Sunderland Museum where John Paul Ekins stood in at short notice for Grace Yeo, who was indisposed. Despite a busy schedule John Paul managed to fit in a visit to Sunderland where he delighted the audience with an excellent recital.

The evening began with two Polonaises by Chopin (in C Sharp Minor and E Flat Minor, op.26), and the Romanze (in F sharp major, op.28) by Schumann. The first half of the recital ended with a very refined performance of Sonata no. 8 in C Minor, op.13 (the Pathétique) by Beethoven. After the interval (and mince pies) the evening continued with a most powerful performance of “Pictures at an Exhibition” by Mussorgsky. The encore was the Chopin Mazurka no.13 in A minor.

John Paul Ekins last played for Sunderland Pianoforte Society in February 2014, when as a young pianist he was embarking on his career, which is now very successful. He has performed as soloist at a number of prestigious venues in the UK, including London’s Wigmore Hall, Royal Albert Hall, Queen Elizabeth Hall, Purcell Room and St Martin in the Fields. His concerts have taken him to all parts of the world, where he has performed concertos by Mozart, Beethoven, Schumann, Grieg and Rachmaninov.

John Paul was pleased to return to Sunderland and was very complimentary about the Society’s treasured piano.

The Society’s 75th season continued with a recital by the brilliant young Russian pianist Alexander Karpeyev who played a programme of music from his native land.

The recital began with 9 pieces from Visions Fugitives by Prokofiev which made a good opening for an evening of brilliance and power as well as intense musical insight into some rarely heard music. This was followed by Sonata-Ballade, op. 27 by Medtner, again seldom heard but was well received by the audience who were impressed by Alexander Karpeyev’s virtuosity. This is the 8th of Medtner’s sonatas, composed between 1912 and 1914 and was a good follow up to the Sonata Romantica which we heard last month. After the interval we had some rarely heard miniatures by Grechaninov. These were charming short pieces by a relatively unknown composer born in 1864 and was known for his liturgical works for the Russian Orthodox Church. We then had some Rachmaninov; Fragments, Etude-Tableaux and part of All-Night Vigil op.37, all beautifully played. The evening finished with Three Movements from Petrouchka by Stravinsky which made a very good end to an exciting recital. These were played with such power and ability that the audience demanded an encore which was a March by Medtner.

Alexander Karpeyev began playing the piano at the age of 7 and in 2000 he entered the Moscow Tchaikovsky Conservatory. In 2005 he won a scholarship to the Guildhall School of Music and Drama where he studied with Joan Havill. He has won many competitions and performed in all major cities as well as being Artistic Director of the Medtner Festival in London. The second Medtner Festival will be celebrated 26-27 November,2017.   WWW.MEDTNERFEST.CO.UK

Altogether, a wonderful evening and a pianist to watch.

Lily Scott