The 76th season of the Society finished with a recital by the world famous pianist Valentin Schiedermair who entertained the audience with a popular programme of well loved music. The recital began with two Preludes and Fugues from Book Two of the Well Tempered Clavier by J. S. Bach which were played with clarity and great authority. These were followed by a delightful performance of the Mozart Sonata in B flat, K570 and the first half of the recital ended with the Impromptu in F sharp Op. 36 and the Barcarolle in F sharp Op. 60 by Chopin. After the interval we heard the most splendid performance of Pictures at an Exhibition by Mussorgsky which was a complete contrast to the first half of the recital.

Valentin Schiedermair certainly impressed the audience with his sheer stamina and brilliant technique, yet everything was played with musicality and detail. The audience demanded more, and the Mussorgsky was followed by a beautifully played Chopin Nocturne in F sharp op.15 no. 2.

From a musical family, Valentin has studied in many parts of the world with famous teachers and spends a very busy life both performing and teaching. Since his first radio recording aged 16 he has developed a large repertoire and is to be admired for his ability to involve the audience in his performance.

Lily Scott.

On Tuesday, March 12th Ashley Fripp gave a piano recital of works by Schubert, Chopin and Schumann in the Pottery Room at Sunderland Museum. This was enjoyed by a good, enthusiastic audience. The recital began with Four Impromptus D899 by Schubert which were beautifully played with much thought and care, particularly the third one. Following this we heard Four Impromptus by Chopin, a complete contrast to the Schubert and brilliantly played, giving a good end to the first half of the recital. After the interval Ashley Fripp opened the second half with a performance of Fantasiestücke, op.12 by Schumann. This was played with great authority and good insight to the work which was obviously enjoyed by the audience. To end the recital we heard Scherzo no.4, op.54 by Chopin which was a good climax to the evening however, the audience wanted more and Ashley finished with an encore, a gentle Chopin Waltz op.70 no.2.

Ashley Fripp is a young British pianist who has earned a fine reputation, performing throughout the world and winning many prizes. This is his third visit to Sunderland Pianoforte Society where he always enjoys playing their priceless Steinway piano and anyone who missed last night’s recital missed a treat. The next recital will be on Tuesday 9th April at 7.15 and will be given by Valentin Schiedermair who will be playing works by Bach, Mozart, Chopin and Mussorgsky.

Lily Scott

The 76th season continued with a recital by the brilliant young British/Romanian pianist Florian Mitrea who was sponsored by Making Music’s Philip and Dorothy Green Award for Young Concert Artists Scheme. The recital, which was held in the Pottery Room at Sunderland Museum, was well supported by a good audience who heard a recital of well loved piano music and were reluctant to leave without an encore of Chopin’s Étude in C minor, op.25 no.12.

The recital began with a beautiful performance of Mozart’s Fantasia in C minor K475 which was followed by Beethoven’s Sonata in C major, op.53 [Waldstein]. Again, a powerful and exciting performance making a good end to the first half of the recital. The second half of the recital was all Chopin, beginning with a very exuberant performance of the Scherzo no.1 in B minor, op. 20 which was followed by two beautifully played Nocturnes,op.27 no.1 in C sharp minor and op.55 no.1 in F minor. Florian ended his recital with the Andante Spianato and Grande Polonaise which was played with great authority and we all had the impression that he had enjoyed the evening as much as we had.

Florian Mitrea has a very busy schedule, performing all over the world, and members of the Society are most grateful to Making Music for giving us the chance to hear such a talented young pianist who we hope will visit us again in the future.

Lily Scott

Despite a cold, wet evening a good audience attended a recital given in the Pottery Room at Sunderland Museum on Tuesday evening and they were not disappointed by the performance given by British born pianist Jamie Bergin, who impressed everyone with his thoughtful playing. The evening began with a beautiful and relaxed performance of the Moments Musicaux by Schubert which was followed by the Sonata No. 26 in E Flat, op. 81a [Les Adieux] by Beethoven and although both works came from around the same time there was a marked contrast in style. The more simple style of the Schubert [particularly in Nos. 3 and 6] was complemented by the middle period Beethoven which ended with an exciting third movement.

After the interval there was a rarely performed work by Debussy, Images Oubliées. This was a good introduction to Gaspard de la Nuit which ended the programme. Here, we were left in no doubt about Jamie Bergin’s virtuosity. The performance was given with great authority, with the technical problems presenting no difficulty. Scarbo was particularly stunning and made a good end to the evening during which we had heard a performance of great maturity, technique and dynamic range which went from ppp (without losing the quality of sound) to louder passages which were never too loud.

Jamie has now finished his tour of London and the North East and is returning to Germany but we hope that he will come back in the not too distant future.

Lily Scott

Sunderland Pianoforte Society continued its 76th season with an outstanding recital given by the Romanian pianist Cristian Sandrin who was kindly sponsored by the Countess of Munster Musical Trust. The recital was given in the Pottery Room at Sunderland Museum on Tuesday, 16th October and was well attended by an enthusiastic audience that was well rewarded with an excellent evening.

The recital started with the Variations in F minor by Haydn which were followed by the Sonata in D minor op.31 no.2 by Beethoven, both well played, with great attention to detail particularly in the first movement of the Beethoven where the pedal was used correctly as indicated by the composer. The second movement was beautifully played and the third movement was a fitting end to the first half. After the interval we heard Étude pour les Arpèges Composés No. 11 by Debussy, a difficult, rarely played work from a set of 12 piano studies. This was one of the most popular of the set and certainly one of the most difficult, again well played. We then heard the Berceuse, op.57 by Chopin and the evening ended with Kreisleriana op.16 by Schumann which was the highlight of the recital and left the audience demanding an encore. The Chopin Barcarolle was a fitting end to a really enjoyable evening which was appreciated by everyone.

Born to a family of musicians from Bucharest, Romania, Cristian Sandrin made his solo debut at the age of 13. After graduating from the Dinu Lipatti Art College he moved to London where he worked with many famous pianists. His solo debut in London was at the Wigmore Hall in September 2017.

The Society is grateful for the financial help given by the Countess of Munster Musical Trust by making it possible for us to present such a brilliant young pianist who is assured of a successful career.

Lily Scott