Sunderland Pianoforte Society continued its 77th Season with a recital given by the brilliant young Lithuanian pianist Ugnius Pauliukonis who delighted his audience with a thoughtful and interesting programme. The recital began with a beautiful performance of the Sonata no. 52 in E flat by Haydn which was played with great care and authority. The speed was perfect as was the use of pedal which was minimal. This was followed by a selection of Chopin Nocturnes, Waltzes and Studies which made a good end to the first half. After the interval we heard Images, Book 1 by Debussy and again were impressed by the atmosphere created by Reflets dans L’eau which was followed by Hommage a Rameau and Mouvement which was given a brilliant performance. The evening finished with a moving and beautiful performance of the Sonata no.2 in B flat minor by Chopin, and the audience which had bravely struggled through very bad weather to attend were well rewarded by having such a good evening.

The Society is grateful for the sponsorship and support of Making Music’s Philip and Dorothy Green Award for Young Concert Artists scheme which over the years has been a great help to the Society.

Lily Scott

The 77th season of the Sunderland Pianoforte Society continued with a recital given by Korean pianist Grace Yeo in the Pottery room at Sunderland Museum. It was well attended by an enthusiastic audience who enjoyed listening to works by Robert and Clara Schumann, Beethoven, and Scriabin, and were privileged to be present for the first performance of local composer David Pennycuick’s Preludes op.19 [nos. 20, 21, 24 and 6]. These were well contrasted preludes which were well received by the audience and beautifully played by Grace Yeo who had a clear understanding of the works.

The first half of the recital consisted of Robert Schumann’s Arabeske, op.18 and Sonata in G minor, op.11 as well as Clara Schumann’s Romance in A flat and Deuxième Scherzo in C. The second half began with the Pennycuick Preludes which were followed by Sonata op.10 no.3 by Beethoven and the recital finished with a brilliant performance of Scriabin’s Sonata no.4 in F sharp. However the audience wanted more and were given two encores, Liszt’s Gnomenreigen and Schumann’s Träumerei.

Grace Yeo was making her second visit to Sunderland and is an artist of great technical ability as well as a clear understanding of the music and gave the audience a most enjoyable evening.

Lily Scott

On Tuesday, 22nd October Sunderland Pianoforte Society continued its 77th season with a recital given by Alexander Soares who played works by Bach, Beethoven, Albéniz and Messiaën. This was attended by an appreciative audience who enjoyed the Bach English Suite in G minor which opened the recital. The first half continued with El Puerto and El Albaicin by Albéniz and Regard de l’Église d’Amour by Messiaën which was a good contrast to the Bach and which was brilliantly played, showing a clear understanding of the music as well as a huge technique. The Messiaën in particular was most impressive. After the interval we heard the well loved Beethoven late sonata op.111 which was followed by an encore, Morceau de Lecture à Vue by Messiaën. Altogether a good evening given by a brilliant young pianist who is assured of a successful career.

Alexander is a graduate from Cambridge and his recent performances include Wigmore Hall, St. Johns Smith Square and the Barbican Centre.

Lily Scott

The Sunderland Pianoforte Society opened its 77th season with a recital of sheer perfection given by Dinara Klinton who played to an enthusiastic audience in Sunderland Museum on Tuesday evening.

The recital began with five works by Tchaikovsky ending with the Andante Maestoso from the Nutcracker Suite which was brilliantly played with both power and virtuosity and followed by the Beethoven Sonata in A major, op. 101. Again, well played, particularly the 2nd and 4th movements which always present a challenge both technically and artistically. After the interval we heard the Elegie and 2 preludes (op.23 nos.4 and 5) by Rachmaninoff, romantic music which was a good introduction to the Prokofiev Sonata no.6 in A major. Composed in February 1940 this sonata expresses the cruelty and tragedy of the times he was living through and Dinara Klinton’s performance portrayed this perfectly. The dynamic range and technique were impressive but at the end of the evening the audience still wanted more. Dinara gave an encore of two Scarlatti sonatas in A major and B flat major.

Dinara’s music education began at the age of five in her native Kharkiv, Ukraine and she graduated with highest honours from Moscow Central Music School, where she studied with Valery Piassetsky. After playing throughout the world with many orchestras, Dinara is a young pianist who is already a great success.

Lily Scott

The 76th season of the Society finished with a recital by the world famous pianist Valentin Schiedermair who entertained the audience with a popular programme of well loved music. The recital began with two Preludes and Fugues from Book Two of the Well Tempered Clavier by J. S. Bach which were played with clarity and great authority. These were followed by a delightful performance of the Mozart Sonata in B flat, K570 and the first half of the recital ended with the Impromptu in F sharp Op. 36 and the Barcarolle in F sharp Op. 60 by Chopin. After the interval we heard the most splendid performance of Pictures at an Exhibition by Mussorgsky which was a complete contrast to the first half of the recital.

Valentin Schiedermair certainly impressed the audience with his sheer stamina and brilliant technique, yet everything was played with musicality and detail. The audience demanded more, and the Mussorgsky was followed by a beautifully played Chopin Nocturne in F sharp op.15 no. 2.

From a musical family, Valentin has studied in many parts of the world with famous teachers and spends a very busy life both performing and teaching. Since his first radio recording aged 16 he has developed a large repertoire and is to be admired for his ability to involve the audience in his performance.

Lily Scott.